marble group web

Marble pieces developed from discarded polystyrene packaging, various dimensions, May 2017


JTG compiled grey

38 x 26 x 2.5 cm, white card, glue and spray paint

Three-dimensional study from Joaquin Torres-Garcia’s Pintura constructivista No. 8 (1938)

MiSK Art Festival, Saudi Arabia


4 – 7 April 2017

MISK Diplsay composite 2

Drawings and maquettes exhibited at MiSK Art Festival in Riyadh, Saudi Arabia thanks to Curator Sa’id Costa, and ADD Enterprise. The festival aimed to support and promote the local Saudi art scene. Great experience to show alongside Rachel Gadstone, Zepha/ Vincent Abadie Hafez, Khalid Farhan, Heba Abed, Alke Reeh, Teresa Esteban Gomez, Rashad Alakbarov & Rovshan from YAY Gallery, Azerbaijan, the Tape Art Crew, and more…

MISK compositeDrawings, photos and renders from a 4-day workshop developing concept designs for public artwork with local participants from Riyadh, ages 15-30 yrs.

Shadow Intervention #1

Sketchbook and phoneTimed sketchbook drawing and mobile phone time-lapse video, 25 July ’16

A time-lapse video shot using an i-phone App recorded shadows moving across a blank wall in the early evening, whilst an observational drawing was produced simultaneously of the scene. The intention was to compare how the human eye sees, selects and records visual information differently to a camera.

The wall onto which shadows are cast is the west facade of the Mission Bay Parking structure at 450 South Street, San Francisco, owned by Alexandria Real Estate Equities, designed and constructed by WRNS and Overaa Construction, 2009. The structure has an abstract geometric stucco design on the south facade; perforated aluminum panels veil the north and east facade. The west facade has been left purposefully blank- a research centre is planned for the adjacent allotment, the construction of which would hide the existing wall.

shadow wall composite 2



hold 9 – 24 Apr ’16


NO FORMAT Gallery, Harrington Way, Woolwich, London SE18 5NR

A collaborative pilot exhibition examining contemporary migration of goods, ideas and people. Through drawing, print and sculptural installation, Barbour, Byers and Chiu narrate conflicts of identity within historical frameworks.

Living Heritage

ODAP pic

Drawings from Al Asmakh and Msheireb from 2012-15 on display as part of a one-day pop up event developed by the Old Doha Architecture Prize winners.

Residency in Baroda, Gujarat 2015

The residency was developed with friends and curators Amit Jain and Pratiti Shah at the Blueprint.12 studios in Baroda, 12 Sep – 10 Oct 2015. A special thanks to Abijan Toto Gupta for hosting me in Baroda, and to all the artists at the Blueprint.12 studios for their warm hospitality and for the opportunity to see their work.

8 x india sketchbook drawings small

Sketchbook pages, Gujarat 2015

Whilst using the studios in Baroda as a base, I explored various locations in Gujarat for research primarily into different aspects of the shipping industry in Gujarat, both historic and contemporary. Locations included the dhow shipyards in Mandvi, on the Rukmavati River, at which traditional wooden dhows are still constructed by hand, and the Alang ship recycling yards with the surrounding pop-up industries that have sprung up and sell every re-usable item salvaged from the ships, from portholes and life rafts to refrigerators and propellors. I also had the opportunity to explore the modernist and historic architecture in and around Ahmedabad, which included Le Corbusier’s Villa Shodan, Louis Khan’s Indian Institute of Management (IIM), and the Adalaj and Ran Ki Vav step wells.

Mandvi ship drawing 1

Traditional dhow under construction, Mandvi 2015

As part of the residency I gave public talks at Maharaja Sayajirao University of Baroda and also at Veer Narmad South Gujarat University in Surat (below), with a live drawing demo. A huge thank-you to the faculties and students for the opportunity and warm reception.

India talks